Deane Williams
10 points
* 4 hours per week
* First semester
* Clayton
* Prerequisites VSA2190 or VSA3710 or VSA3770
Objectives By the completion of this subject students will be expected to explore and engage with issues in contemporary film theory; extend the skills acquired in earlier years with specific emphasis on the close examination of written texts; demonstrate an understanding of the meanings and resonances of discourse theory as it applies to film; engage with the debates surrounding the discourses of postmodernism and poststructuralism as they apply to film; demonstrate an ability to critically engage with written and filmic texts in a clear and confident manner in both written and oral presentation.
Synopsis This is primarily a reading subject that will consider aspects of contemporary film theory. A major portion of the subject will be devoted to the debates around postmodernism as they relate to film. Other areas for study will include discourse theory, structuralism and poststructuralism, theories of ideology and phenomenology. Film texts for exploration will include Australian, American, European and Asian cinemas.
Assessment Two essays (3500- 4000 words each):
45% each
* Seminar participation: 10%
Preliminary reading
Stam R and others New vocabularies in film semiotics: Structuralism, post-structuralism and beyond Routledge, 1993
Back to the Arts Undergraduate Handbook, 1998
Published by Monash University, Australia
Maintained by wwwdev@monash.edu.au
Approved by C Jordon, Faculty of Arts
Copyright © Monash University 1997 - All Rights Reserved -
Caution