C Durre and S Purdy
12 points
* 10 studio hours per week
* First and
second semester
* Gippsland
* Prerequisites: GVA2213
Objectives On completion of this subject students are expected to demonstrate that they have developed a level of technical competence that will enable them to work independently in the printmaking medium(s) of their choice; designed and developed an individually approved study program from which a personal approach to printmaking can be derived; developed a professional approach to printmaking and drawing in both attitude and practice; and maintained a curiosity towards the theories and practices of other artists both Australian and international.
Synopsis At this level of the course, students should have the technical competence to work in any printmaking medium of their choice and will be expected to design an individually approved program of study from which a personal approach to printmaking is derived. Drawing is considered an activity central to the study of all printmaking units and students will therefore attend weekly drawing classes conducted by printmaking staff.
Assessment Artistic and conceptual development: 40%
* Technical achievement: 25%
* Drawing: 25%
* Contribution to
critiques: 10%
Recommended texts
Butler R My head is a map ANG, 1992
Gilmour P Lasting impressions: Lithography as art ANG, 1988
Gott T Backlash: The Australian drawing revival 1976-1986 NGV, 1987
Ross J and Romano C The complete printmaker Free Press, 1973
Tallman S The contemporary print: From pre-pop to postmodern Thames and
Hudson, 1996
Vand and A Museum From Manet to Hockney V and A, 1985
Periodicals
Art and Text
Art Forum
Flash Art
Imprint
Tamarind Technical Papers
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Last updated
Fri Mar 27 16:49:04 EST 1998