Poetics
Kevin Hart
8 or 12 points
* 2 hours per week
* Second semester
*
Clayton
Objectives On the successful completion of this subject students should have gained a close familiarity with the works of the four set poets and should be conversant with the major questions of modern poetics.
Synopsis Poetics is the theory of poetic discourse. In this seminar we will look closely at the work of four twentieth-century American poets: Wallace Stevens, Marianne Moore, Elizabeth Bishop and John Ashbery. Part of our interest will inevitably be hermeneutical: the question `What is being said?' has to be posed and answered. This is preliminary, though, to the guiding question of poetics: `How is it being said?' In order to answer that question we have to know about genres, poetic forms, metre and rhetoric; and we will find this out from the usual classical sources. But we also need to know about discourse theory and narratology, not to mention modern theorisations of genre, poetic form and rhetoric: so we will also look at some essays by contemporary critics, including Harold Bloom, John Hollander and Paul de Man. Not surprisingly some of the most penetrating remarks about poetics are made by poets. We will therefore also learn from observations made by the four poets whose writings we will read as well as from others: Yves Bonnefoy, Osip Mandelstam and Paul Valéry, among others.
Assessment (8 points) Two essays (3000 words each): 100%
Assessment (12 points) Two essays (4500 words each): 100%
Prescribed texts
Ashbery J Selected poems Penguin
Bishop E Complete poems Farrar, Straus and Giroux
Moore M Complete poems Faber
Stevens W The palm at the end of the mind Vintage Books
Preliminary reading
Dorsch T S (tr.) Classical literary criticism Penguin
| Published by Monash University, Clayton, Victoria
3168 Copyright © Monash University 1996 - All Rights Reserved - Caution Authorised by the Academic Registrar December 1996 |