German cinema
Proposed to be offered next in 1998
Leonie Naughton
12 points
* First semester
* Clayton
* Prerequisites: VSA2190,
two second-year visual arts subjects or at discretion of head of
department
Objectives By the completion of this subject students should be able to demonstrate a familiarity with various New German films and an awareness of events surrounding this cinema's emergence and efflorescence; an understanding of how filmmaking practices differed in the German Democratic and Federal Republics of Germany; an awareness of the textual operations of films screened during the subject and how they may be related to psychoanalytic theory and debates about spectacle, genre, historical recovery, feminism; an ability to present rigorous close analyses of specific film texts.
Synopsis The postwar German cinema, most notably of the 1980s and 1990s, will provide the subject with its central emphasis. The relationship between film culture and the state will be examined with reference to issues revolving around the construction of `national identity' and to theoretical proposals which have sought to establish links between the so-called collective psyche and national film produce. Provocative questions regarding the representation of history (in particular of Nazism/the division of Germany) and of sexuality will be raised by the new German films to be screened. Throughout the subject, the works of postwar Autoren such as Fassbinder and Wenders and feminist filmmakers will be analysed. The impact of unification on German film culture will be examined.
Assessment Two essays (3000 words each): 70%
* Class paper: 10%
* Examination (1 hour): 20%
Prescribed texts
Elsaesser T New German cinema: A history Macmillan, 1989
Kracauer S From Caligari to Hitler Princeton U P, 1973
Lewis D (ed.) The new Germany: Social, political and cultural challenges of unification Exeter, 1995
Rentschler E West German film in the course of time Redgrave, 1984
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