Film theory and criticism: part II
Leonie Naughton
12 points
* 3 hours per week
* Second semester
* Clayton
Objectives By the end of the course students will be expected to be able to extend the skills acquired in earlier years with specific emphasis on the close examination of written texts; demonstrate an understanding of theories of spectatorship and psychoanalytic theory as they apply to film; engage with the debates surrounding recent feminist theory; demonstrate an ability to present rigorous close analyses of specific film texts; critically engage with written and filmic texts in a clear and confident manner in both written and oral presentation.
Synopsis In this seminar subject, students will be required to engage actively with aspects of contemporary film theory. Psychoanalytic theory and feminist theory will provide the foundation for examination of the role of spectatorship in the cinema. Characterisation of the hysterical, the masochistic and the sadistic film text will be analysed to further understand the nature of cinematic pleasure. The `woman's film' will be examined with reference to recent feminist writings of Silverman, Doane and Gledhill. Although the subject - like VAD4200 (Film theory and criticism: part I) - is primarily a reading course, film will be screened for discussion and analysis. Examples will be drawn from divergent sources: popular, commercial film, European art cinema and alternative and avant-garde practices.
Assessment First essay (3000 words): 30%
* Second essay (4500
words): 50%
* Seminar paper (1500 words): 20%
Preliminary reading
Kuhn A Women's pictures: Feminism and cinema RKP, 1982
Mitchell J E Psychoanalysis and feminism Penguin, 1982
Prescribed texts
Burgin V and others (eds) Formations of fantasy Methuen, 1986
Collins J and Radner H Film theory goes to the movies AFI, 1993
Silverman K The acoustic mirror: The female voice in psychoanalysis and cinema 1988
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