Authorised by Academic Registrar, April 1996
Synopsis This subject explores a range of Shakespeare's plays, focussing on the various critical interpretations and theories which have been applied to or imposed upon them by critics and directors over the years, including Freudian, structuralist, feminist, Christian, nationalist, imperialist, and so on, and how these reflect changing times and fashions as well as political, philosophical or cultural biases. In addition,consideration will be given to the ways in which Shakespeare's texts have regularly been adapted to the spirit of the times - re-writings of particular scenes and endings for eighteenth-century productions, for example - and assimilated into other cultural forms, including, in the nineteenth century, opera (Verdi's Macbeth and Otello), and in the twentieth century, film.
Assessment Two essays (2000 words): 30% + Essay (2500 words): 50% + Seminar paper, including participation: 20%