Undergraduate - UnitATS2805 - Global Popular and Roots Music

This unit entry is for students who completed this unit in 2014 only. For students planning to study the unit, please refer to the unit indexes in the the current edition of the Handbook. If you have any queries contact the managing faculty for your course or area of study.

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6 points, SCA Band 1, 0.125 EFTSL

Refer to the specific census and withdrawal dates for the semester(s) in which this unit is offered, or view unit timetables.

Level	Undergraduate
Faculty	Faculty of Arts
Organisational Unit	Ethnomusicology
Offered	Not offered in 2014
Coordinator(s)	Dr Jonathan McIntosh

Synopsis

Neo-traditional musical genres combine features of established local musical traditions with modern and western genres. Musics such as Bulgarian Wedding Music, many localised Country Musics, Thai Phleng Luk Thung, Hungarian Tanz-haus, Argentinian tango, Zulu Isicathimiya, Yoruba Ju-Ju, share many characteristics. Some are entertainment genres for particular groups, others may be culturally emblematic. In many cases their social and political status is complex and contentious. This unit will study these and similar musics and students will critically evaluate theories of musical fusion, cultural appropriation and globalisation, cultural revival, musical subcultures and micromusics, nationalism and localism which are relevant to understanding their formation and development.

Outcomes

On successful completion of this unit, the students:

Will have studied in detail of a number of neo-traditional music styles of the twentieth and twenty-first centuries and investigated their relationship to political and social movements
They will have advanced their skill in critically evaluating interpretations of musical forms, and have learnt to listen for and to identify significant features in unfamiliar musics
They will have enhanced their ability to locate and evaluate information on cultural activities
They will understand relevant socio-cultural theoretical approaches to popular culture and critically comment and argue for their relevance to interpreting the social significance and meaning of neo-traditional musics.