Asian art and design and its influences on Europe 3B (3 points)
(A&D)
Leader: To be advised
Offered:
Caulfield First semester 2004 (Day)
Caulfield First semester 2005 (Day)
Synopsis:
Objectives: On successful completion of this unit, students will: 1.identify the great national and/or religious traditions of Asian Art and Design, from the Neolithic period to the late nineteenth centruy. Especially, the early development of Hindu and Buddhist Art and Design in India; the impact and development of Hindu/Buddhist Art and Design in China, Japan and Southeast Asia; the rise and development of Islamic Art and Design and its profound influence on medieval Europe; 2.demonstrate a knowledge of the historical origins in Asia and diffusion to Europe of; bronze, urban planning and architecture (the dome, tunnel vaulting, rib vaulting), writing/calligraphy, silk and textiles, painting, paper, porcelin, glass, printing, lacquered furniture, and more; 3.recognise influences of Asian aesthetic and religious ideas on European movements such as Salon Painting, Impressionism, the Arts and Crafts Movement, Art Nouveau, De Stijl, the Bauhaus, the post-war Good Design Movement, and more; 4.identify and comment critically on the iconography, context, function and design logics of various examples of Traditional Asian Art and Design; 5.demonstrate a good historical and philosophical understanding of three of the worlds great religions, Hinduism, Buddhism and Islam; 6.show developed research and writing skills; 7.show developed ability to communicate about visual material to a critical audience.
Assessment: Short essay (1200 words) 40% + Long essay (1500 words) including class presentation 55% + Reader discussion 5%
Contact Hours: 2 class hours and 4 hours of independent study per week
Prerequisites: two level 2 TAD units
Prohibitions: TAD2303,TAD2313,TAD3303
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