3 points - 2 seminar hours and 4 independent study hours per week - Second semester - Caulfield - Prerequisites: TAD4501 - Core for BVisComm(Hons), BIA and BID
Objectives On successful completion of this subject, students should have a secure grasp of certain key concepts in contemporary theory which have particular bearing on the area of practice which they are pursuing; be keen to relate the terms of their practice to the broader field of contemporary discourse in art and design, irrespective of the extent to which that practice is conventionally defined as progressive or conservative; be able candidly to identify the bias in their practice with respect to ideological indices such as gender, class and ethnicity and consider the possible case against the assumptions of their practice; be keen to practice criticism in small forums, considering and conjecturing how aesthetic standards (such as taste) are the expression of non-absolute cultural values, and identifying critical questions of other people's practice; be equipped to sustain an exegetical defence of their work and its placement in current visual production; explain the senses in which their project involves research and extends beyond the definition of professional practice.
Synopsis Topics for discussion are drawn from critical literature in the field of art and design and, on account of the discussions centring on the visual production of the students, the areas for debate are to some extent directed by the students themselves. The issues revolve around the definition of research in the context of art and design; and extensive consideration is given to the modes of expression suitable for communicating inspirational and intentions.
Assessment Two assignments: 30% and 70%
Recommended texts
A reading list will be provided in class
Back to the 1999 Art and Design Handbook