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VSA2520/3520

Italian Renaissance art: power, patronage and imagination

John Gregory

8 points
* 3 hours per week
* First semester
* Clayton

Objectives By the end of this subject students should have an understanding of the development of art and architecture in Renaissance Italy within in a broad social and historical framework; and have gained a general understanding of the way in which artistic patronage operated in the period, and some insights into the diverse roles played by those responsible for the production and use of visual culture in the period.

Synopsis This subject will address the various ways in which artists, patrons and members of the wider community were involved in the production and use of art and architecture in Renaissance Italy. Issues to be considered will include: the differing modes of patronage employed by communal, courtly and papal governments; regional variations of style and theme, notably the contrast between the influential Florentine model and other centres such as Siena, Venice and Naples; and the evolution of new or substantially reformulated forms and genres such as perspective, narrative art, portraiture, and villa and garden design. Recent re-readings of Renaissance culture will be integrated as appropriate, particularly in relation to representations of class and power, gender, sexuality and the body.

Assessment second year Seminar paper (1500 words): 25%; Essay (3000 words): 50%; Visual Test (1.5 hours): 25%

Assessment third year Seminar paper (1500 words): 25%; Essay (3000 words): 50%; Visual Test (1.5 hours): 25% Third-year level students will be expected to demonstrate wider reading and a capacity to synthesise their knowledge on a higher level than second-year students.

Recommended texts

Baxandall M Painting and experience in fifteenth-century Italy rev edn OUP, 1988

Cole A Art of the Italian Renaissance courts Dent, 1995

Heydenreich L Architecture in Italy 1400-1500 Yale U P, 1996

Kempers B Painting, power and patronage Penguin, 1992

Norman D (ed.) Siena, Florence and Padua: Art, society and religion 1280-1400 Yale U P, 1995


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