Caution
Copyright © Monash University 1996
ISBN 1320-6222
Authorised by Academic Registrar, April 1996
+ the Bachelor of Arts (BA),
+ the Bachelor of Music BMus),
+ the Bachelor of Performing Arts (BPA) and
+ the double degree Bachelor of Music/Bachelor of Commerce (BMus BCom).
The BA, BMus, and BPA pass degrees involve three years of full-time study and the honours degrees four years. The Bachelor of Music/Bachelor of Commerce offered jointly by the Faculty of Arts and the Faculty of Business and Economics involves four years of full-time study.
The department's extensive collection of musical instruments and ensembles includes an early music collection comprising a complete consort of Renaissance shawms, crumhorns, recorders, and various keyboard instruments; a complete Javanese gamelan orchestra, Sundanese bamboo calung and angklung ensembles, an African drum ensemble, a Chinese orchestra, a piphat/mahori orchestra from Thailand, a large collection of Indian instruments, and a set of Japanese instruments. It also contains an Asian music archive, including the Sumatra research archive, Japanese music archive, the Australian music collection and the archive of Jewish music.
The department fosters the cultivation of music on campus and presents many concerts, lecture-recitals and other performances which music students are expected to attend.
+ the ability to communicate effectively about music via both verbal and written skills;
+ a comprehensive understanding of the various genres of performance in Western music, such as instrumental and vocal ensembles, large instrumental and vocal groups, and the multimedia genres of opera and musicals (for the major in music of the Western tradition);
+ a comprehensive understanding of the various eras of Western music history, such as early and late medieval music, renaissance music, music of the baroque era, classical music, romantic music, and music of the twentieth century (major in music of the Western tradition);
+ a fundamental understanding of musical instruments, vocal music, musical ensembles, and music performance contexts in non-Western music traditions, including popular music genres in Western music traditions (major in non-Western music traditions);
+ a fundamental understanding of the various periods of music history in selected non-Western music cultures, such as sub-Saharan Africa, India, the Southeast Asian Mainland, Indonesia, and East Asia, including China, Korea, and Japan (major in non-Western music traditions);
+ to musicological skills, including the ability to communicate effectively, the ability to analyse music into its various components, ability to communicate effectively about music and the ability to think independently about issues associated with music performance and the promotion of musical activities in the community;
+ fundamental research skills, including the gathering of published written materials, sound-recorded or video or film materials, on a given topic;
+ the ability to organise and report on the results of research through clearly written argument and effective oral presentation;
+ a basic understanding or ability to place any particular performance of music within its cultural context, with due regard to the historical, economic, and sociocultural factors that impinge upon the performance and contribute to the generation of the sound being communicated from the performer to the listener, and also with respect to the values placed by the listener upon the sound communicated;
+ an ability to make critical judgements about a particular music performance with respect to aesthetic values held by the society and/or culture that may be identified as the tradition within which the music is normally performed.
+ the ability to be self-critical.
+ MUS1040 and MUS1050 or MUS1060
+ MUS1050 and MUS1060
+ MUS1100 and MUS1110
+ MUS1100 Exploring Western music I (6 points)
+ MUS1110 Exploring Western music II (6 points)
Optional additional subjects
+ MUS1040 and MUS1060
+ MUS2110 Analytical and compositional techniques I (4 points)
+ MUS2120 Analytical and compositional techniques II (4 points)
+ and one of the following:
+ MUS2140 Music of the romantic ideal (8 points; first semester)
+ MUS2500 The study of dance (8 points; second semester)
+ MUS2580 New dances from old cultures
Optional additional subjects
+ MUS2250 and MUS2480
+ MUS3310 Twentieth-century compositional techniques* (8 points)
+ MUS3390 Music aesthetics, criticism, sociology and psychology* (8 points)
Optional additional subjects
+ MUS3580 New dances from old cultures
+ MUS3190 Keyboard music
It is highly recommended that intending honours students also take MUS3410 (Research methods) (8 points)
* Compulsory subject.
+ MUS4720 Thesis (10,000 to 15,000 words) (24 points)
+ MUS4420 Research methods (if MUS3410 not already taken) (8 points)
+ A rotating genre study (eg Keyboard music) (8 points)
and two or three of the following:
+ MUS4640 Fieldwork methods (8 points)
+ MUS4500 Music-dance interrelationships (8 points)
+ MUS4980 Music pedagogy (8 points)
+ MUS1100 Exploring Western music I (6 points)
+ MUS1050 Introduction to Asian music, dance and theatre (6 points)
Optional extra subject
+ MUS1040
+ An ethnomusicological area study (8 points) (eg Music of Africa in 1996)
Optional extra subjects
+ MUS2110, MUS2120
+ An ethnomusicological area study (8 points)
+ MUS3480 Performance studies: Indonesian gamelan (8 points)
It is highly recommended that intending honours students also take MUS3410 (Research methods).
+ MUS4420 Research methods (if MUS3410 not already taken) (8 points)
+ An ethnomusicological area study (8 points)
and two of the following:
+ MUS4640 Fieldwork methods (8 points)
+ MUS4400 Ethnographic dance studies (8 points)
+ MUS4980 Music pedagogy (8 points)
+ a practical, theoretical, critical, historical and contextual knowledge and understanding of music;
+ a range of solo and ensemble performance skills of a high standard;
+ academic skills leading to postgraduate study and research in music;
+ an ability to contribute to the community through well-developed music performance skills, and through analytical, problem-solving and communicative skills;
+ a general education in music suitable for employment in the music industry and teaching professions;
Students who complete the Bachelor of Music degree should have developed:
+ skills in musical performance;
+ a comprehensive understanding of the various genres of performance in Western music such as instrumental and vocal ensembles, large instrumental and vocal groups and the multimedia genres of opera and musicals;
+ a comprehensive understanding of the various eras of Western music history, such as early and late medieval music, renaissance music, music of the baroque era, classical music, romantic music, and music of the twentieth century;
+ a basic understanding of the various roles and functions of different types of music in Western societies, and an ability to articulate these roles in written form and verbally to specialists and the general public;
+ skills in musical performance and musicology including the ability to communicate effectively, the ability to analyse music with the view to increasing interpretative skills in performance and conducting, and the ability to think independently about various issues associated with music performance and the promotion of musical activities in the community;
+ the ability to work cooperatively and creatively in small ensembles and in large orchestras and choral groups;
+ the ability to plan, supervise and manage public concerts, acting both individually and with a group as appropriate in a given circumstance;
+ the ability to be self-critical;
+ the ability to differentiate between various published editions of the same music notation, especially with respect to establishing their respective feasibilities relative to a particular performance context.
+ a major sequence in performance (fifty-two points)
+ a major sequence in composition or musicology or ethnomusicology (fifty-two points)
+ a first-year sequence in music or in a department other than music (twelve points)
+ a minor sequence in a department other than music (twenty-eight points)
Enrolment in the BMus signifies a greater degree of specialisation in performance than that expected of undergraduates pursuing a major sequence in music for the BA. The degree is designed as a professional qualification for musicians who will follow careers as performers, composers, teachers and scholars. Students completing a major in practical music and one other music major are eligible to take out a BMus, while students completing a musicology or an ethnomusicology major or both take out a BA. Similarly, students taking the fourth-year performance option are eligible to take out a BMus(Hons) while students completing one or both of the other options take out a BA(Hons).
To be eligible for entry to the BMus(Hons) program, students must have achieved credit grades in at least twenty-four points of music at second and third-year levels, of which at least sixteen points must be at third-year level.
Students in the first year develop their chief practical study skills as well as interactive musical skills in orchestral, chamber or other ensemble groups and accompanying skills in appropriate cases. They are examined on both solo and ensemble or orchestral work, culminating each semester in ensemble or solo performance events which may be organised by the students. There is continuous assessment in performance units.
In fourth-year honours each student is required to present a recital with his/her own program notes and a research essay on a topic related to the program or an associated aspect of performance practice.
+ MUS1980 Solo and duo performance and literature
+ MUS1990 Solo and duo performance and literature
In addition, students will normally take:
+ MUS1070 Orchestral choral and chamber performance and repertoire I (6 points);
+ MUS1080 Orchestral choral and chamber performance and repertoire II (6 points)
Note that students co-majoring in performance and ethnomusicology should substitute MUS1120 and MUS1130 for MUS1170 and MUS1180.
A totally different repertoire is taught and assignments set in each semester in the orchestra and chamber music workshop courses. These courses involve building up accumulative instrumental and/or vocal performance skills as well as associated intellectual and writing skills.
+ MUS2980 Solo and duo performance and literature* (6 points)
+ MUS2990 Solo and duo performance and literature II* (6 points)
+ MUS2510 Orchestral choral and chamber performance and repertoire III (4 points)
+ MUS2520 Orchestral choral and chamber performance and repertoire IV (4 points)
+ MUS2480 Performance Studies: Indonesian Gamelan
* Compulsory subject.
+ MUS3990 Solo and duo performance and literature I (6 points)
+ MUS3480 Performance studies: Indonesian gamelan (4 points)
+ MUS3920 Applied music (conducting, arranging) (4 points)
* Compulsory subject.
Students undertaking this specialisation can expect to acquire experience and skills to develop a career as a composer. The program offers individual supervision of students' compositional projects and encourages work in various media, including traditional, electronic, and contemporary solo and ensemble combinations. Honours students will prepare a folio of compositions and arrange an annotated concert performance of their works. The department organises a number of large and small instrumental and ensemble choral groups and encourages performances of student compositions.
+ MUS1110 Exploring Western music II (6 points)
Composition majors are given extra compositional training along with aural, analytical and keyboard training in this course.
+ MUS2120 Analytical and compositional techniques II* (4 points)
+ MUS2660 Music composition workshop* (4 points)
+ MUS2661 Music composition workshop* (4 points)
+ MUS3660 Music composition workshop (4 points)
+ MUS3670 Music composition workshop (4 points)
+ MUS3390 Music aesthetics, criticism, sociology and psychology*
* Compulsory subject.
Students who choose this specialisation can expect to develop their knowledge and understanding of music to prepare themselves as musicologists, studying the music history of various genres, research methods, and aspects of systematic musicology such as performance practice, analysis, aesthetics, criticism, music sociology and psychology of music. Students at honours level present a thesis of 10,000 to 15,000 words on an approved research topic in musicology. They may then proceed with masters level coursework in other aspects of musicology.
+ MUS1110 Exploring Western music II* (6 points)
+ MUS2120 Analytical and compositional techniques II* (4 points)
+ MUS2140 Music of the romantic ideal (8 points)
+ MUS3310 Twentieth-century compositional techniques* (8 points)
+ MUS3390 Music aesthetics, criticism, sociology and psychology* (8 points)
+ Keyboard music (8 points)
* Compulsory subject
+ MUS1050 Introduction to Asian music, dance and theatre (6 points)
+ MUS1060 Gamelan performing arts (6 points)
+ Area study (8 points)
+ Area study MUS3910 Music of sub-Saharan Africa in 1996 (8 points)
+ MUS3420 Research methods (8 points)
+ MUS3480 Performance studies: Indonesian gamelan
+ MUS4580 Contemporary music (8 points)
+ MUS4980 Music pedagogy (8 points)
+ Genre study (8 points)
+ Area study (8 points)
+ MUS4480 Performance studies: Indonesian gamelan
+ MUS4030 Special project: practical study, with extended, fully annotated concert recital and essay* (or other approved project) (24 points)
* Compulsory subject
+ MUS4580 Contemporary music (8 points)
+ Area study (Music of sub-Saharan Africa in 1996) (8 points)
+ Genre study (Keyboard music in 1995) (8 points)
+ MUS4760 Special project: Folio of compositions plus concert performance of at least one composition with program notes) (24 points)
+ MUS4420 Research methods* (8 points)
+ Genre study (8 points)
+ MUS4580 Contemporary music (8 points)
+ MUS4720 Thesis* (24 points)
* Compulsory subject
+ MUS4640 Fieldwork methods (8 points)
+ MUS4980 Music pedagogy (8 points)
+ Area study (8 points)
+ MUS4720 Thesis* (24 points)
* Compulsory subject
+ MUS1040 Music and popular culture in the twentieth century
+ MUS1050 Introduction to Asian music, dance and theatre
+ MUS1980 Solo and duo performance and literature I
+ MUS1990 Solo and duo performance and literature II
+ MUS1140 Ensemble and choral music workshop
+ MUS1150 Ensemble and choral music workshop
+ MUS1060 Gamelan performing arts
+ MUS1100 Exploring Western music I
+ MUS1110 Exploring Western music II
+ MUS2110 Analytical and compositional techniques I
+ MUS2120 Analytical and compositional techniques II
+ MUS2250 Popular music
+ MUS2480 Performance studies: Indonesian gamelan
+ MUS2980 Solo and duo performance and literature
+ MUS2990 Solo and duo performance and literature
+ MUS3980 Solo and duo performance and literature
+ MUS3990 Solo and duo performance and literature
+ MUS3660 Music composition workshop
+ MUS3480 Performance studies: Indonesian gamelan and dance
Students take approved combinations of subjects in (i) music performance, composition, arranging and musicology, including classical and popular music and in (ii) accounting and finance, economics and management.
+ MUS1100/1110 Exploring Western music I and II* (6 points each)
+ MUS1160/1170 Solo, orchestral and choral performance and repertoire (6 points each)
+ MUS1070/1080 Orchestral, choral and chamber performance and repertoire I and II (6 points each)
+ MUS1980/1990 Solo and duo performance and literature* (6 points each)
+ MUS1040 Music and popular culture in the twentieth century (6 points)
+ MUS2110/2120 Analytical and compositional techniques* (4 points each)
+ MUS2070/2080 Orchestral and choral performance and studies (4 points each)
+ MUS2980/2990 Solo and duo performance and literature (4 points each)
+ MUS2510/2520 Orchestral, choral and chamber performance and repertoire (4 points each)
+ MUS3390 Music aesthetics, criticism, sociology and psychology (4 points)
+ MUS3580 Contemporary music (4 points)
+ MUS3970 Music pedagogy (4 points)
* Compulsory subjects
Students wishing to complete a specialisation in accounting and finance and who wish to become eligible for membership of the professional accounting bodies in Australia must complete the following subjects: AAF1021/1022, AAF1031/1032, AAF2110, AAF2120, AAF2130, AAF2140, AAF3110, AAF3120, AAF3130 or AAF3140, AAF3150 and AAF3160.
Before enrolling for the double degree, students should collect from the office of either faculty an information sheet setting out several course structure options available for the double degree.
Students may choose to undertake a Graduate Diploma of Arts in music, a Graduate Diploma of Arts in dance studies, an MA by coursework in music, an MA by coursework in music education, an MA by major thesis, and a PhD by major thesis. The department can provide supervision for theses in most areas of music.
+ MUS1050 Introduction to Asian music, dance and theatre
+ MUS1060 Gamelan performing arts
+ MUS1070 Orchestral, choral and chamber performance and repertoire
+ MUS1080 Orchestral, choral and chamber performance and repertoire
+ MUS1100 Exploring Western music I
+ MUS1110 Exploring Western music II
+ MUS1120 Orchestral and choral performance and studies
+ MUS1130 Orchestral and choral performance and studies
+ MUS1980 Solo and duo performance and literature
+ MUS1990 Solo and duo performance and literature
+ MUS2080 Orchestral and choral performance and studies
+ MUS2100 Music-dance interrelationships
+ MUS2110 Analytical and compositional techniques I
+ MUS2120 Analytical and compositional techniques II
+ MUS2140 Music of the romantic ideal
+ MUS2250 Popular music
+ MUS2260 Asian music: three great traditions
+ MUS2470 Performance studies: early music ensemble
+ MUS2480 Performance studies: Indonesian gamelan
+ MUS2500 The study of dance
+ MUS2510 Orchestral, choral and chamber performance and repertoire
+ MUS2520 Orchestral, choral and chamber performance and repertoire
+ MUS2580 New dances from old cultures
+ MUS2660 Music composition workshop
+ MUS2670 Music composition workshop
+ MUS2980 Solo and duo performance and literature
+ MUS2990 Solo and duo performance and literature
+ MUS3130 Theatrical music
+ MUS3170 Chamber music
+ MUS3190 Keyboard music
+ MUS3210 Vocal music
+ MUS3250 Popular music
+ MUS3260 Asian music: three great traditions
+ MUS3310 Twentieth-century compositional techniques
+ MUS3330 Music of North and South India
+ MUS3390 Music aesthetics, criticism, sociology and psychology
+ MUS3400 Ethnographic dance studies
+ MUS3410 Research methods
+ MUS3470 Performance studies: early music ensemble
+ MUS3480 Performance studies: Indonesian gamelan
+ MUS3490 Indonesian gamelan (special studies)
+ MUS3500 The study of dance
+ MUS3580 Contemporary music
+ MUS3640 Fieldwork methods
+ MUS3660 Music composition workshop
+ MUS3670 Music composition workshop
+ MUS3830 Music of Southeast Asia I: Indonesia
+ MUS3860 Music of Southeast Asia II: Thailand
+ MUS3880 Music of China, Japan and Korea
+ MUS3890 Contemporary composition in Australia
+ MUS3910 Music of sub-Saharan Africa
+ MUS3920 Applied music: arranging and conducting
+ MUS3970 Music pedagogy
+ MUS3980 Solo and duo performance and literature
+ MUS3990 Solo and duo performance and literature
+ MUS4010 Applied music: arranging and conducting
+ MUS4030 Special project: practical study
+ MUS4140 Theatrical music
+ MUS4180 Chamber music
+ MUS4200 Keyboard music
+ MUS4220 Vocal music
+ MUS4340 Music of North and South India
+ MUS4390 Music aesthetics, criticism, sociology and psychology
+ MUS4400 Ethnographic dance studies
+ MUS4420 Research methods
+ MUS4480 Performance studies: Indonesian gamelan
+ MUS4490 Indonesian Gamelan (special studies)
+ MUS4580 Contemporary music
+ MUS4640 Fieldwork methods
+ MUS4720 Thesis
+ MUS4760 Special project: composition
+ MUS4840 Music of Southeast Asia I: Indonesia
+ MUS4860 Music of Southeast Asia II: Thailand
+ MUS4880 Music of China, Japan and Korea
+ MUS4900 Contemporary composition in Australia
+ MUS4920 Music of sub-Saharan Africa
+ MUS4980 Music pedagogy