units
ATS2807
Faculty of Arts
This unit entry is for students who completed this unit in 2014 only. For students planning to study the unit, please refer to the unit indexes in the the current edition of the Handbook. If you have any queries contact the managing faculty for your course or area of study.
Refer to the specific census and withdrawal dates for the semester(s) in which this unit is offered, or view unit timetables.
Level | Undergraduate |
Faculty | Faculty of Arts |
Organisational Unit | Composition |
Offered | Clayton First semester 2014 (Day) |
Coordinator(s) | Associate Professor Thomas Reiner |
Notes
Previously coded MUS2660
The unit will cover three topics related to compositional technique. The first topic will explore basic concepts behind musical structures from both the listener's and composer's perspective and methods for analysis of musical structures in notated works. The second topic covers the formation and organisation of pitch in terms of tuning, scales and. The third topic, called post-production techniques, explores compositional technique specific to the recording studio and computer technology. Included will be an investigation of a number of techniques for organising sounds in virtual spaces (such as the stereo space) and related aesthetic issues.
Students completing this unit will be able to: incorporate a range of structural strategies into their compositions or improvisations; perform structural analysis of notated works to a basic level; have developed listening skills in relation to pitch organisation; compose musical ideas using a range of approaches to scale and mode; and be able to analyse and criticise music created in recording studios from the perspective of post-production technique.
Written work: 75% (3500 words)
Post-production exercise: 25%