Postgraduate - UnitAPG5280 - Contemporary film theory and criticism

This unit entry is for students who completed this unit in 2014 only. For students planning to study the unit, please refer to the unit indexes in the the current edition of the Handbook. If you have any queries contact the managing faculty for your course or area of study.

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12 points, SCA Band 1, 0.250 EFTSL

Refer to the specific census and withdrawal dates for the semester(s) in which this unit is offered, or view unit timetables.

Level	Postgraduate
Faculty	Faculty of Arts
Offered	Not offered in 2014
Coordinator(s)	TBA

Notes

Previously coded FTM5052

Synopsis

This is primarily a reading unit that will consider aspects of film theory since 1975. A major portion of the unit will be devoted to the debates around modernism and post-modernism as they relate to film studies. Other areas of investigation include: textual analysis, feminist film theory, historical poetics, historical reception studies, queer film theory, and the impact of the cultural studies and Cinema books of Gilles Deleuze. Film texts for exploration will include those from Australian, American, European and Asian cinemas

Outcomes

By the completion of the unit students will be expected to:

Identify and summarise a number of critical positions in contemporary film theory
Critically assess the limitations of these positions so as to begin to establish new domains of inquiry
Identify and defend their own critical positions within the field of film studies
Relate these positions to the examination of films and film related material
Demonstrate an understanding of research methodologies and the requirements of research papers.

Assessment

Written work: 80% (7500 words)
Participation and paper (1500 words): 20%

Chief examiner(s)

TBA

Workload requirements

4 hours (one 2-hour seminar and one 2-hour screening) per week

Prerequisites

Two units at 2nd year level in Film and Television Studies, or other approved discipline

Prohibitions

ATS4280 / APG4280