units
AHT2025
Faculty of Art, Design and Architecture
This unit entry is for students who completed this unit in 2014 only. For students planning to study the unit, please refer to the unit indexes in the the current edition of the Handbook. If you have any queries contact the managing faculty for your course or area of study.
Refer to the specific census and withdrawal dates for the semester(s) in which this unit is offered, or view unit timetables.
Level | Undergraduate |
Faculty | Faculty of Art, Design and Architecture |
Organisational Unit | Department of Fine Art |
Offered | Not offered in 2014 |
Coordinator(s) | Prof. Anne Marsh |
Notes
This unit was formerly coded TAD2025
This unit concentrates on the artist's body in art, including photography, performance, painting, sculpture, video and multi-media art. It will consider examples from the history of 20th century art but will focus primarily on art practice since 1960. The unit will deal with issues of identity, gender, sexuality and difference, drawing on performative theories of subjectivity. It will look closely at experimental art practices and how these practices have sought to close the gap between art and life; from the Happenings of the 1960s, through the body art of the 1960s and 70s, to relational aesthetics, and flash mob performance works in the 2000s. The unit will investigate live action in contrast to represented action, and will consider the live action and its remediation in video, digital art and film.
Upon successful completion of this unit students will:
Assignment 1,500 words (40%)
Research essay 2,500 words (60%)
12 hours per week including 3 contact hours and 9 hours of independent study or equivalent.
12 credit points at first year level in Art History and Theory, or Theory of Art and Design, or Visual Culture, or permission from Unit Coordinator
TAD3025, TAD2025, AHT3025