units
ATS4412
Faculty of Arts
This unit entry is for students who completed this unit in 2012 only. For students planning to study the unit, please refer to the unit indexes in the the current edition of the Handbook. If you have any queries contact the managing faculty for your course or area of study.
Refer to the specific census and withdrawal dates for the semester(s) in which this unit is offered, or view unit timetables.
Level | Undergraduate |
Faculty | Faculty of Arts |
Offered | Not offered in 2012 |
Coordinator(s) | Dr Shane Homan |
Notes
Previously coded COM4240
In this unit students consider the key production, consumption and policy debates concerning the popular music industries. It situates popular music as a significant part of the global media and cultural industries, examining a range of music-media activity, including music journalism; music radio; film soundtracks; music television; and music on the internet. A key theme of analysis is the changing roles of industry, audiences and governments regarding how and where popular music remains meaningful. The unit will also address contemporary intellectual property and other policy debates, and how the 'local' is situated within global music landscapes.
On successful completion of this unit, students will be able to demonstrate:
Essay I (theory and debates) (4000 words): 40%
Essay II (case study) (5000 words): 60%
One 2-hour seminar per week
Completion of Bachelor of Arts or equivalent