Monash University Handbook 2010 Undergraduate - Unit

Synopsis

Neo-traditional musical genres combine features of established local musical traditions with modern and western genres. Musics such as Bulgarian Wedding Music, many localised Country Musics, Thai Phleng Luk Thung, Hungarian Tanz-haus, Argentinian tango, Zulu Isicathimiya, Yoruba Ju-Ju, share many characteristics, and chief amongst these is a self referential traditionalism. Some are entertainment genres for particular groups, others may be culturally emblematic. In many cases their social and political status is complex and contentious. This unit will study these and similar musics and outline theories of musical fusion, cultural appropriation and globalisation, cultural revival, musical subcultures and micromusics, nationalism and localism which are relevant to understanding their formation and development.

Objectives

On successful completion of this unit, the students:

1. Will have been introduced to a number of neo-traditional music styles of the twentieth and twenty-first century and their relationship to political and social movements.
2. They will have advanced their skill in critically evaluating interpretations of musical forms, and have learnt to listen for and to identify significant features in unfamiliar musics.
3. They will have enhanced their ability to locate and evaluate information on cultural activities

Assessment

Written work: 50%
Class tests: 10%
Exam with listening component: 40%

Contact hours

1 two-hour lecture per week

This unit applies to the following area(s) of study

Music

Prohibitions

MUS3200