Clayton Second semester 2008 (Day)
This unit examines some concepts in the history of film theory by considering a number of theoretical and critical writings in relation to a range of films. Topics for examination include early silent film theory, the notion of the historical avant-garde in the form of French impressionism, the film theories of Kracauer and Bazin, French new wave criticism, the neglected tradition of realist phenomenology in film theory, 1968 and the leftist turn and the question of film language and structuralism.
By the completion of the subject students will be expected to:
First essay 3000 words 35%
Second essay 4500 words 45%
Seminar participation and paper 1500 words 20%
Fifth-year students will be expected to read more widely and work at a higher level
4 hours (one 2-hour seminar and one 2-hour screening) per week
A major in Film and Television Studies or other approved discipline